Fear And Loathing In Las Vegas Besetzung Filme wie Fear and Loathing in Las Vegas
Der Journalist Raoul Duke ist mit seinem Anwalt Dr. Gonzo nach Nevada gekommen, um über ein Motorradrennen in der Wüste zu berichten. Ein Job, den die beiden schnell zu Gunsten des Glücksspiels und exzessiver Drogenexperimente aufgeben. Doch der. Besetzung und Stab von Fear and Loathing in Las Vegas, Regisseur: Terry Gilliam. Besetzung: Christina Ricci, Ellen Barkin, Gary Busey, Mark Harmon. Dr. Gonzo ist bereits in die Suite eingezogen, bei ihm ist eine junge Frau namens Lucy, welche der Anwalt auf dem Rückflug nach Las Vegas kennenlernte. Sie. Fear and Loathing in Las Vegas Schauspieler, Cast & Crew. Liste der Besetung: Johnny Depp, Benicio del Toro, Christina Ricci u.v.m. Da gäbe es nur eines zu tun, erklärt ihm der schmerbeuchige Dr. Gonzo (Benicio del Toro): Als sein Anwalt rate er ihm, ein schnelles Auto ohne Verdeck zu mieten.
Synchronbesetzung von Fear And Loathing In Las Vegas mit Sprachproben - deutsche Synchronstimmen, Synchronschauspieler Cast nach Rollen mit. Schatzkarte Woche 9 Drogendealer Gehalt In unserer Chronik der Polizei- und Feuerwehreinsätze in Leverkusen zeigen wir, was wann wo in der Stadt passiert. Have any questions? [email protected] and loathing in las vegas besetzung. Home; About Us; Our Work; Gallery. Royal Portrait. Our Clients; Testimonial; Blogs; Contact. The story follows its protagonist, Raoul Duke, and his attorney, Dr. The basic synopsis revolves around journalist Raoul Duke Hunter S. If Darmstadt 98 Ergebnis an accurate representation of continue reading book, which I thought was an accurate representation of a particular time and place and people. A year later, after an extensive search, So former member of Bombreligion joined as the sixth member. Maybe it meant see more.
Hollywood soundstage. According to the cinematographer, this footage heightened the film's "already otherworldly tone an extra notch.
Nicola Pecorini was hired based on an audition reel he sent Gilliam that made fun of the fact that he had only one eye he lost the other to retinal cancer.
For the desert scenes, Pecorini wanted a specific, undefined quality without a real horizon to convey the notion that the landscape never ended and to emphasize "a certain kind of unreality outside the characters' car, because everything that matters to them is within the Red Shark.
During production, it was Gilliam's intention that it should feel like a drug trip from beginning to end. The drug kicks in and you're on speed!
You get the buzz — it's crazy, it's outrageous, the carpet's moving and everybody's laughing and having a great time.
But then, ever so slowly, the walls start closing in and it's like you're never going to get out of this fucking place. It's an ugly nightmare and there's no escape.
Pecorini and Gilliam decided they wanted the film to be shot wide-angle but because of the small budget they couldn't afford the downfalls of anamorphic lenses so they paired the Arriflex , Arri BL-4S and the Arri iii with a set of Zeiss Standard Primes and Kodak's D Vision filmstock in order to achieve the saturated look the film has.
The music belongs to the psychedelic rock and classic rock genre. The soundtrack contains songs used in the film with sound bites of the film before each song.
Fear and Loathing in Las Vegas underwent preview test screenings — a process that Gilliam does not enjoy.
I know the pressure from the studio is, 'somebody didn't like that, change it! Apparently it all came flooding back to him, he was reliving the whole trip!
He was yelling out and jumping on his seat like it was a roller coaster, ducking and diving, shouting 'SHIT! It's not my show, but I appreciated it.
Depp did a hell of a job. His narration is what really held the film together, I think. If you hadn't had that, it would have just been a series of wild scenes.
If I'm going to be disappointed, it's because it doesn't make any waves, that people are not outraged.
By the time Fear and Loathing was released as a Criterion Collection DVD in , Thompson showed his approval of the Gilliam version by recording a full-length audio commentary for the film and participating in several DVD special features.
On an audio commentary track in the Criterion edition of the DVD, Gilliam expresses great pride in the film and says it was one of the few times where he did not have to fight extensively with the studio during the filming.
However, he does express frustration with the advertising campaign used during its initial release, which he says tried to sell it as wacky comedy.
Vintage Press reported an initial reprint of , copies to tie in with the film's release, but demand was higher than expected and forced the novel to go back to print a further five times.
Gilliam wanted to provoke strong reactions to his film as he said in an interview, "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time.
The site's critical consensus calls the film "visually creative, but also aimless, repetitive, and devoid of character development.
Thompson's images don't begin to match the surreal ferocity of the author's language. Little episodes of no particular import come and go But the movie is too grotesque to be entered emotionally.
The two characters wander witlessly past the bizarre backdrops of Las Vegas some real, some hallucinated, all interchangeable while zonked out of their minds.
Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state.
Gene Siskel 's "thumbs-up" review at the time also noted the film successfully captured the book's themes into film, adding "What the film is about and what the book is about is using Las Vegas as a metaphor for — or a location for — the worst of America, the extremes of America, the money obsession, the visual vulgarity of America.
It's the sense that Gilliam, like Thompson, is always totally in command of the medium, while abandoning himself utterly to unpredictable forces beyond his control.
Andrew Johnston , writing in Time Out New York , observed: " Fear is really a Rorschach test of a movie — some people will see a godawful mess, rendered inaccessible by the stumbling handheld camera and Depp's nearly incomprehensible narration.
Others will see a freewheeling comedy, a thinking person's Cheech and Chong film. It all depends on your mood, expectations and state of mind for the record, I was stone sober and basically enjoyed myself.
The increased attention for the film has also led some news outlets to reconsider the mixed original reception of the film; Scott Tobias of The A.
Club argued in his more recent review of the film that "the film would have had a greater impact had it been produced at the time, when Brewster McCloud proved that anything was possible, but short of a time machine, Gilliam does what he can to bring the era back to life.
The film was nominated for a variety of awards that both praised and condemned it. Gonzo was also nominated for the worst supporting actor.
From Wikipedia, the free encyclopedia. For other uses, see Fear and Loathing in Las Vegas disambiguation. Theatrical release poster.
Johnny Depp Benicio del Toro. Rhino Films Summit Entertainment. Thompson as himself. Las Vegas Sun. Texas Monthly.
Retrieved 29 August Retrieved 15 December Retrieved 10 July The New York Times. Retrieved 4 January Los Angeles Times.
The Guardian. Retrieved 22 November Us Weekly. Real to Reel interview. The New Yorker. Associated Press.
Sight and Sound. Retrieved 17 February The Globe and Mail. Judge Jenette Goldstein Maid Stephen Bridgewater Human Cannonball Donald Morrow Shopper Mary Gillis Shopper Jennifer Elise Cox Shopper Robert Allen North Star Waitress David Brisbin Man in Car James O'Sullivan TV Newsman Milt Tarver TV Newsman Kathryn Alexander Lizard Performer Mia Babalis Lizard Performer Kristin Draudt Lizard Performer Kim Flowers Lizard Performer Trudi Forristal Lizard Performer Nan Friedman Lizard Performer Judith Lieff Lizard Performer Tane McClure Lizard Performer Diana Mehoudar Lizard Performer Geoffrey B.
Lizard Performer Marlene Bologna Trapeze Artist Chobi Gyorgy Trapeze Artist Karen Price Trapeze Artist as Karen E. Castoldi Lisa Hoyle Trapeze Artist as Lisa S.
Hoyle Joseph S. Trapeze Artist Rest of cast listed alphabetically: Stephen Austin Desert Race Reporter uncredited Greg Bronson Highroller uncredited Ray Cooper Distinguished Man uncredited Kacee DeMasi Hooker uncredited Eva Ford American Flag Girl uncredited Patty Gliniewicz Hotel Clerk uncredited Mitchell Gordon Belly Clown uncredited Matthew Hurley Street Performer uncredited Bryce Ingman Pit Boss uncredited Paul Kantner Medical Angel uncredited Walter Ludwig Hotel Valet uncredited Laila Nabulsi Grace Slick uncredited Warren Ross Tent Doorman uncredited Naomi Sampson Update vom 3.
An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.
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